Civic Quarry
Overview
Four solid wings stand apart, and the city enters between them.
Civic Quarry, a museum and national archive in Quito, Ecuador, is a large mass at the southern tip of Parque La Carolina. Vertical fins close each wing, so from the street only the cut between them speaks. That cut, one floor below the street, is the main public room: crossed, sat on, climbed. Wide steps rise from the plaza over the foyer to an auditorium facing the park. The wings hold the archive. The void holds the public.
Emanuele Di Paola and Guoyu (Leo) Li · Vertical Studio, Marcelo Spina · SCI-Arc B.Arch, Spring 2026
Site
Where
It Sits
A dense block off the southern end of Parque La Carolina in Quito, at 2,850 metres in a valley ringed by volcanoes. The project treats the block not as a plot to build on but as material to cut into.
Interactive Extraction Sequence
Concept The City as Raw Material
"A museum and national archive extending Parque La Carolina, treating the existing city block as raw material and civic program as the exposed seam within."
A quarry produces form by extraction: what remains is shaped by what was taken. Applied to a dense block in Quito, the operation generates a museum whose galleries are the leftover mass and whose public spaces are the cuts themselves, a museum and archive housed in a geological act.
Process
Quarrying
The Block
The massing comes from a single, repeatable operation. One cube; two axes drawn through its center, then rotated and shifted just off-grid; a set of random horizontal planes. The vertical cuts open the public crossing, the horizontal cuts produce the strata of galleries.
Precedent
Villa Giulia,
Quarried
Vignola's Villa Giulia in Rome is read as a proto-quarry: a solid figure whose courtyards and exedra are cut into the mass rather than added to it. The precedent study decomposes its plan and section into figure and void.
The same operation, scaled to a Quito city block, generates the museum.
Stop Motion Assembling by Hand
The Quarry,
Reassembled
The process in reverse: starting from the loose extracted pieces, the massing is rebuilt by hand one volume at a time. Each orange fragment is a piece of civic program; each black slab is retained mass. The building is only ever the sum of what was taken and what was kept.
Section A-A
Through
the Void
Cut through the lower void and the auditorium, looking west: the archive and the galleries above, the parking and the metro below the street.
Section A-A, looking west
2 Galleries · 3 Auditorium · 4 Archive · 6 Lower void · 7 Metro tunnel · 8 Foyer · 9 Parking · 10 Public steps
Drawing Set
The Building,
Drawn
Nine drawings of the developed building: from below, in the layers of the city around it, on its site, in section, by program, in plan at three levels and in the city.
Physical Model
The Sectional
Model
The model works like the building: black volumes slide apart to expose the orange seams of civic program within. Every extraction the design proposes can be performed by hand on the model itself.
Site Model Quito
The Quarry
In The City
The massing model sits in a gray context model of the Quito site. Against the neutral city, the black shards read as retained mass and the orange seams mark where the block has been opened to the public.